We’ve worked our way through the internal DAC chain to a point where we have finally decoded the numeric musical data into current steps, then converted those steps into voltage. It is at this point that [...]
Yesterday we traced the digital audio path from the input of the DAC all the way to the output of the DAC itself, which outputs a series of current steps, and are in the process of [...]
We’ve briefly discussed getting the digital audio stream into the DAC and then decoding those bits back into a form of analog that gets us a lot closer to being able to play it on our [...]
Yesterday we detailed the layout of a PCM DAC and its 4 components that make it work: the input receiver, DAC itself, Current to Voltage converter and finally the analog stage: the subject of this series. [...]
We’re starting down the path of trying to unravel a bit of the topic why the analog output stage of a DAC is so important: perhaps more important than the DAC itself. To begin let’s first [...]
I thought we might delve into a new subject this week: the all important analog stage at the output of a DAC. I think this may make for some interesting posts as a disproportionate amount of attention is [...]
Today’s a day for us to spend with our family and friends and enjoy life, music and the pursuit of happiness. I just wanted to pass along some good cheer and thank all of my readers [...]
I wanted to finish up our little series on how Class D amps worked today, tomorrow we’ll enjoy Christmas with our families and then onto new and fertile grounds for audio the day after. We’ve learned [...]
One of the reasons Class D amplifiers are considered by most to be digital (technically they are not) is the need to encode the continuous analog input signal into another language to work. So it may [...]
Sorry, I am writing this yesterday and when I went to input the publish date I saw it would be the 21st, winter solstice, my son Sean’s birthday and “the end of the world”. So I [...]
In the past few days we’ve covered a lot of ground learning about the various amplifier classes like A, AB, B which are the main amplification classes, referring mostly to how the output stages of the [...]
Yesterday we explained how a single ended power amplifier worked and what the differences are between our traditional power amplifier output stage and this unique topology. Today I want to wrap up the background series on [...]
We’re in the middle of our series on amplifier classes (not learning classes, but output classes) and getting on to understanding one of the very different classes of analog designs, Class D. Along the way we’ve [...]
Yesterday’s post covered what Class B in a power amplifier means and the day before we explained Class A. It’s probably instructive to review what we’ve learned so far as there are new readers jumping on [...]
Unusual gift suggestions, including rarities from Mozart and Zelenka, bracing masterworks from Britten and Bach, and well-roasted chestnuts from Martha Argerich. [...]
Yesterday we covered Class A and what it means when it comes to a power amplifier. It’s been pointed out in our comments section that Class A biasing doesn’t have to apply only to a power [...]
First off, we’ve published a new video https://vimeo.com/55572974 which is a behind the scenes look at what goes into building a PerfectWave product. It’s pretty interesting if you’ve never seen what it takes to make a modern [...]
In this installment, we will absorb the very mellow and cool vibes of the vibraphone. When I was growing up, those who were, wanted to be or considered themselves as “real cool”, not only listened to [...]
I was going to jump feet first into amps this morning but got blindsided by all the mail I receved on the order of importance when selecting equipment in Tuesday’s post Gnats and Whales. It’s probably worthwhile [...]
Whenever a conversation comes around to Class D amplifiers, they will inevitably be referred to as digital power amplifiers; a common mistake. They are not digital power amplifiers. They are as analog as class A and [...]
As we wind up the beta testing on the newest product launch, the PerfectWave PowerBase, I am really pleased to see the positive comments and great reviews. But I am reminded that something like the PowerBase [...]
I am reminded by several of our readers that one of the best means of evaluating equipment is fatigue. Yeah, I know that sounds ominous but I am guessing we’ve all experienced our system’s sounding so [...]
One of our readers posted the topic subject in the comments section yesterday and it really struck me as getting to the core of it : lest we lose sight of where we’re going and where [...]
In response to my post on the sound of analog reader John Van Polen from the Netherlands wrote me the following: “It’s a shame people tend to use the word “digital” as an equivalent of “bad” and “analog” [...]
For those of you that followed along with our series on designing and building the PowerBase I thought I’d share with you a short behind the scenes video you might enjoy watching. You can click on [...]
One of the most valuable tools I have in my listening arsenal is a set of favorite recordings I use over and over. Most of you probably have a few favorites as well, but in my [...]
Think for a moment how challenging it must be to review a product for one of the publications that do so. You’re sent a new product, perhaps a DAC, and you’re asked to let the world [...]
I wrote yesterday about the furious battles over double blind ABX testing yesterday and why they don’t work for finding out the truth in listening. I should also mention that it is a shame this happened [...]
In our ongoing series of the Art of Listening it makes sense to touch on ABX testing, a subject that has caused no end of confusion and mistrust over the years. The affair became public back [...]
Yesterday we discovered through our new found listening and relating skills that despite what our meters were telling us, we made a much better sounding phono preamplifier by increasing the headroom beyond anything that made sense. [...]
Yesterday I touched on one of the first big learning experiences I had as a designer: trying to sort out what I heard relative to what was happening electronically. It’s a very different discipline to try [...]
Happy December! I was just watching some silly show last night and was reminded the Mayan calendar says the world ends in 21 days. Let’s make the best of what we have left Sorry, I just [...]
Most of us understand that we can connect to music from multiple angles: emotional, analytical, as a student, as a teacher, as a critic or just just casually. However we are connecting we can easily tell when [...]
When we first started PS Audio in the mid 1970′s Stan and I were hell bent for leather on getting as close as we could to our reference preamplifier’s sound, the Audio Research SP3A4 which is [...]
Back in the mid 1970′s when Stan and I were first starting PS Audio we both had a lot to learn: Stan electronics, me listening. Stan was the Audiophile while I was the nerd who knew [...]
One of the best listeners I know is my wife Terri. She can sit down in the listening room and hear a track she likes, listen to the same thing on another piece of equipment and [...]
Over the last few days we’ve been discussing the two main technologies in digital audio today: PCM and DSD. In my mind there’s no doubt that DSD is superior to PCM – if for no other [...]
As we end our series on PCM and DSD I have been fielding a lot of questions concerning our products and the lack of a DSD input. A few of you have also asked why we [...]
There are about as many opinions on the sound quality of DSD vs. PCM as there are people who have them but the general consensus seems to favor DSD. I know from personal experience with my [...]
How many errors must a DAC make to get it right? Well, in a classic PCM DAC, the answer is none. 16 bit DACS of long ago relied on a perfect conversion process without any errors [...]
To all my readers the world over, have a happy, healthy day today and please don’t forget to give thanks for everything good and great in your life. May we all share in the joy of [...]
How Verdi got started as a composer, revealed in new recordings from a surprising source. [...]
We’ve been covering how a DSD/SACD converter works and we learned a few days ago that just about all modern DACS, certainly those that advertise 24 bit resolution, use a type of DSD on their outputs. [...]
Yesterday we discovered what 1-bit DSD looks like and how it’s fundamentally different from that of the standard CD format, PCM. I am going to spend a few posts helping folks understand a little better detail [...]
Yesterday I surprised a few of you when we learned that the output of just about every modern DAC with 24 bit resolution is actually DSD, or Pulse Density Modulation, also commonly known as 1-bit. We [...]
The day of the 16 bit ladder DAC is pretty much over. If you were particularly fond of the beast, despair not because we have something better called DSD. The classic ladder DAC relies on a [...]
I announced in yesterday’s post we’d find out today why traditional ladder DACS are no longer used in high-end audio but it’ll have to wait until tomorrow as many of you wrote back and said whoa, [...]
In our ongoing series on the differences between CD’s and SACD’s we’ve covered the first part of the CD process, encoding audio into a digital format known as PCM, and next we’re going to explain how [...]
In our continuing series on PCM vs. DSD I mentioned a day or so ago that bit depth controlled two things: granularity as well as dynamic range. Granularity being the fineness of each step in voltage [...]
Yesterday we summed up how PCM encoding works in the broadest of senses. I used the moving train analogy hopefully to good effect but my friend Len Schneider sent me yet another one that I think [...]
Yesterday we explained how we take snapshots or pictures of the changing voltage stream known as analog. Each picture is actually a single voltage measurement at a fixed point in time. Once we’ve measured the voltage [...]
Oops. Yesterday I proclaimed that the 26 letters of the English language were a type of code restricted to a finite number of possibilities based on 226 and this is simply wrong as many of you pointed [...]
We’re working on a new series that will help us get a better understanding of SACD’s vs. good old CD’s. At the heart of everything is really two competing digital audio schemes: DSD (PDM) vs. PCM. [...]
I hope you’ll indulge me on this series as I want to take it in smaller, slower bites one day at a time. I do get mail from time to time from those that want longer [...]
Today’s post marks the start of yet another one of our “discovery” series where we try and get a little learning under our belts. These series seem to be ok with most people and they are [...]
Colorado is one of but a few States at the heart of the craft beer revival in the US and, coincidently, one of but a few States that has been at the forefront of hand crafted [...]
As the writer of the Music Library Management blog I get a lot of emails asking for advice. And a lot of those emails concern the best ways of organizing file and folder paths. Should I [...]
Yesterday Terri and I returned from new York City. We travel to New York once a year to volunteer with the NYC Marathon’s medical team: I run the communications and Terri drives one of the Central [...]
Yesterday’s post covered common mode noise and today’s will cover differential mode noise. To refresh your morning brain, common mode noise is radiated noise from cell phones, WIFI, etc. that get received by both wires in [...]
If you’ve been following along you’re now up to speed of how the upcoming PowerBase product came to be. Born out of the idea that isolating equipment from both mechanical as well as electrical problems really [...]
Yesterday I wrote about the need for a one way gate for the power – meaning we want to see if we can’t reduce the generated power line noise each piece of equipment produces from going [...]
Our story of the development process of the PowerBase continues in today’s post. I might mention that the final product will not be ready for anyone to see or try until the end of this year [...]
Through a lot of painstaking trial and error, coupled with a lot of failures and a few successes, I landed on a pretty unique combo of a heavy steel plate sitting on large diameter Sorbothane feet [...]
In our continuing story about trying to figure out why isolation bases mattered, how they worked and what we could do to perhaps make our products less needy of their services, I endeavored to build my [...]
Picking up on our story of the isolation base shootout at the Munich High-End show of a few years ago,we move back to Boulder Colorado and jump ahead a few years. In our main listening room [...]
Reader David Zigas sent me this quote after reading yesterday’s post titled 1+1=3. ”As far as the laws of mathematics refer to reality, they are not certain; and as far as they are certain, they do [...]
If there was ever a list of musicians that don’t get the recognition that they deserve, Dexter Wansel is very high on that list. And it would not surprise me if the majority of the reading [...]
We’ve covered some good ground in the last few days: power and why it matters, vibrations and microphonics and why they matter. I have also ruffled a few feathers on these topics and that’s ok – [...]
Yesterday we discussed that cones and spikes under electronics is probably not the best idea if you want to really address the problem of smearing caused by microphonics. Yes they work and yes your equipment will [...]
We’re in the middle of our mini series on power and vibration control for our hi fi systems. Yesterday I explained that vibrations, caused by the loudspeakers in our listening rooms, were inevitable and instead of [...]
We’ve been focusing on microphonics and how they affect the performance of our AV equipment. Vibrations from the output of the loudspeakers in our room generate airborne as well as floor-borne movement that is coupled into [...]
I remember years ago when one of our more obsessive customers drove a 100 miles to visit us in hopes of offering some enlightenment to Stan and I. The claim was that this person had discovered [...]
We started our discussion yesterday on microphonics and how everything in our hi-fi systems can act like a microphone picking up sound in the room and adding it to the music. So why is this undesirable? [...]
We’re starting part 2 of our continuing story of how AC power affects the quality of our hi-fi systems, how vibrations and microphonics do the same and then part 3 will be how we deal with [...]
Understanding AC power was the first topic in our 3 part series on watching us develop a new concept for high-end audio. I will wrap it up in today’s post and then tomorrow we move on [...]
Our Hi Fi systems are hungry for clean power: the better the power the better the sound. I don’t suppose the crowd reading this is unaware of the importance of power to the sound quality of [...]
Our Hi Fi systems depend on power to operate and the power they need is DC – yet we feed them AC. Most of us are familiar with battery powered stereo products as they were all [...]
Now we’re getting to the core of understanding how power in our hi-fi system is transferred from the wall and in the next few posts we’ll start to understand how we convert this power into music. [...]
Yesterday we learned that a transformer is really simple: two coils of wire in close proximity to each other. The power you put in one end is transfered magnetically to the other end with great efficiency [...]
Power transformers are found in every piece of high-end audio equipment you have in your home. Part of our ongoing series on understanding power has to involve the use of transformers, how they work and why [...]
Our quarterly collection of great new classical recordings. [...]
We’re on the trail to understand why our homes and our stereo systems get AC power at all – power we rarely ever use in its native form – instead having to convert that AC power [...]
In yesterday’s post we discussed how Edison and several wealthy investors electrified New York City and turned the lights on only to run into a fundamental problem; he couldn’t keep the lights the same brightness. Even [...]
After Thomas Edison figured out how to mass produce the light bulb and keep it affordable his next task was to figure out how to get it accepted into people’s homes. Edison’s brilliance lay in his [...]
What comes out of your home’s power wall socket is not what anything in your stereo system needs. In fact, what comes out of your home’s wall socket is the wrong thing for 99% of everything [...]
Yesterday I wrote that the power coming into your stereo system is every bit as important as the bits of analog or digital that are used to manipulate it into music. What I failed to mention [...]
We’ve been focusing on streaming audio recently and I want to take a bit of a break and spend some time exploring power and microphonics and I’ll tell you why: I have recently become fascinated with [...]
Another consistent error I see is listing the composer of classical music as the artist or album artist. If you have a copy of a recording performed by Ludwig Beethoven you probably have something worth a [...]
Thirty years ago, a mere lad of 25, I was already a veteran classical music and jazz fanatic. I bought LPs, attended classical concerts with the Miami Philharmonic, recitals by some pretty great pianists, operas, and [...]
It’s amazing how difficult it is to achieve simple clarity in anything. We all admire a simple easy to understand operation of a product that seems so obvious to us when it works just the way [...]
I mentioned yesterday that perhaps the single most important aspect of a music library is maintaining consistency in the way you tag and list your albums and tracks. When you go to look for Mozart and [...]
OK, let me guess. Only a few of you actually read any of the material I assigned for homework last night, right? Instead, most of you were probably enjoying your hi-fi systems, your families and life [...]
We’ve been focusing on storage hardware for your music library and now it’s time to start thinking about the actual library itself. This is an important step if you’re starting from scratch – perhaps even more [...]
I travel a lot for our company and visit with audio clubs, customers and speak at a few of our dealers. When I go on these trips of course I want to play music and show [...]
We’ve been discussing HD storage for our music collections and I have been recommending you build your library based on USB connected hardware to your computer. A 2tB hard drive can be purchased for $100 and [...]
If you’re hell bent on relying on the computer built into a NAS rather than the one sitting on your desktop to stream music, then by all means make sure you get a good NAS if [...]
Thanks for the great feedback on our continuing ideas on music storage and how to best build a library from a hardware perspective. Several of you have asked me what my recommendations are for putting together [...]
Computers are like vehicles and software’s like the gas they need to go. One without the other doesn’t work and the quality of the gas makes all the difference in the world. We’ve were discussing the [...]
As we continue our tour of the bandstand, I submit to you trombonist Albert Mangelsdorff (September 5, 1928-July 25, 2005). “Mangels who,” you ask. Let us briefly delve into how Mr. Mangelsdorff’s journey led him to [...]
Tchaikovsky's Fourth
I've got a set of the Karajan recordings of 4,5, and 6 on CD and I'll
Serving it up
I have been searching for a new sub(s) for my system and one brand I'm
Serving it up
Does your use of the term "servo" in this context mean frequency depen
Serving it up
PS Audio, for sure. I suspect there are a few others but don't know.
Serving it up
Paul, I'm unfamiliar with any amplifier descriptions (specificati