If you’ve been following along you now understand that music files are first broken into smaller identically sized pieces of data when they leave the computer.
The data are placed in a capsule called a packet and addressed just like a letter with the address of where it’s supposed to be going and where it came from. You’ve also figured out that if the letter doesn’t get delivered properly (or at all) that we can ask for it to be sent again and our network air traffic control will make sure another copy gets sent out until it is all received perfectly.
Here’s another analogy to help you firm this up. Just imagine you want to send a very rare jigsaw puzzle to a museum and you’re worried that if you send the whole thing it might get lost in the mail. Your chances of getting the puzzle delivered safely increase dramatically if you send each piece of the puzzle in a separate package. The chances of losing all 1000 pieces are almost zero and so you guarantee safe delivery of the majority of the puzzle – any missing pieces you can send later from the copy you kept. This is what we do with a music file and the error rate of sending these files over our local network is almost zero. Everything gets there in perfect shape.
Once received the packets are placed in order, their address information removed and the payload (the music data) is queued up and presented to the DAC as an identical copy to what you started with. Truly an amazing process.
And here’s something else to understand. Now that you see how music files are taken apart, placed in small packages and sent on their way, you can also understand how it is possible to say that we can send any music file anywhere in the world without worry of degradation or loss. It really doesn’t matter if the network is in your home or runs through the biggest network in the world – the internet – all data is treated equally and gets to where it is going unscathed.
Tomorrow we’ll start to wrap up our network journey by briefly covering the job of switches and routers.
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Recent Comments
paulsquirrel: Is a most important point that you are stressing here, Paul. But when you mention: “In the...
Paul McGowan: Spot on!
Dennis Penner: A Chris Botti concert in our city’s concert hall provided an interesting comparison of...
Soundminded: Placing microphones close to musical instruments, especially directional microphones is like using a...
Bassman23: Two AKG 414′s employed in a cross pattern can do a pretty good job with piano. Unless, of course,...
Paul McGowan: I don’t think anyone is anything other than appreciative of your comments – I for one...
Soundminded: Paul, thank you for your comment. I want to make it clear I don’t wish to ruin anyone’s fun. Once I...
Paul McGowan: Excellent post Mark, as usual. I agree with you completely on this point and it really brings to the...
Soundminded: I always like these postings that stand back and try to look at more than one or two trees but...
Bassman23: It’s important to remember that both microphones and loudspeakers are members of that class of...
Lawrence Schenbeck: I had the same impression of the “fate” theme when I came back to the Fourth, to...
Soundminded: First impressions of the first movement, four ideas seem evident. Romeo and Juliet Overture stands...
Soundminded: This two disc set is from analog recordings originally made in 1975-1976. It’s DG 453 088 2....
Lawrence Schenbeck: You have to admit, though, the third movement seems a long ways away, expressively, from the...
Soundminded: I’ve got a set of the Karajan recordings of 4,5, and 6 on CD and I’ll be listening to...
stimpy2: I believe that Andy Narell’s pans were crafted by Ellie Manette who is I believe the preeminent...
stimpy2: I enjoyed reading reading this article very much and have been at several of his concerts and up close...
Paul McGowan: Sure. The idea is to build an active differential low pass filter whose rolloff is low enough to not...
Paul McGowan: No worries – but I don’t actually have any control over where these post or when,...
stimpy2: I just joined the group and was under the impression (notice that I am not using the word assumed) that...
Rick Dieterich: I have been searching for a new sub(s) for my system and one brand I’m considering is the...
Soundminded: Does your use of the term “servo” in this context mean frequency dependent negative...
Dan Gravell: Great comment! It comes down to how your music player works. Personally, I don’t see filenames...
countessouroboros: I realize this post is a bit old now, but for future viewers I feel I need to point out that...
Paul McGowan: Thanks Scott!
sbrinck: Paul The Munich audio show was the bomb !! I am extremely envious ! If you ever decide to quit your day...
Paul McGowan: Yes the apertures are located in the 1/8 space corners so they should be as effective as possible....
Soundminded: I’m quite curious and I must admit somewhat skeptical about how effective these frequency tuned bass...
Paul McGowan: You’re certainly correct and I’ll do my best to give a full report.
Paul McGowan: Thanks! Glad you’re enjoying.