Exploring short piano works, rich in character and expression, from two early-20th-century composers who deserve more attention. Plus: three new recordings you need right now! [...]
Does video enhance or distract from the classical music experience for audiophiles? Will Blu-Ray revolutionize recorded opera, or can audio-only formats still hold value? [...]
Richard Strauss in the Alps; Bach's Goldbergs arranged for viol consort; the longest, largest symphony ever written; stunning Bach oratorios from Retrospect; a triumphant 20th-century program from the Oregon Symphony. All this and more in our [...]
Lawrence Schenbeck talks about his favorite music by his least-favorite composers. Some surprising choices, both ways. [...]
Lawrence Schenbeck surveys music for two, three, or four strings, featuring exceptional new recordings from young performers. [...]
Lawrence Schenbeck welcomes in the new year with new recordings of Franz Schubert's timeless music and thoughts about his harmonic innovation. [...]
Lawrence Schenbeck recommends new choral recordings that would make nice gifts, with asides on record packaging and choral music's place in American life. [...]
Lawrence Schenbeck explores New England and Noo Yawk City with "maverick" composer Charles Ives. [...]
Lawrence Schenbeck offers advice on the most desirable classical recordings of the last few months. [...]
Gustav Mahler is featured in this month's Classical Corner. A fascinating look at a modern composer that you'll enjoy. [...]
A bias right in the middle
True - which is ne of the reasons we use complimentary symmetry design
A bias right in the middle
But in a sense in your single ended example there is no real middle. I
Odd or even?
So that others can find it on the internet, read it for themselves and
Odd or even?
Why would you mention the individual's name in a post, which I believe
Odd or even?
I've heard this assertion for the longest time and I must say I can't